The series The Revolt of Form suggests a metaphorical act of rebellion against the flat drawing surface and the traditional boundaries of artistic media. The work explores the interplay between two-dimensional and three-dimensional expressions within the realm of drawing. Through a combination of traditional drawing and sculptural form, the piece challenges conventional perceptions of what a drawing can be.
The composition is complex, characterized by crumpled paper forms that create natural light and shadow. These shadows generate a dramatic effect, evoking a sense of movement and depth. The work possesses a tactile quality that invites the viewer to experience the depth and surface in interplay. Viewers are encouraged to look closer, to uncover the details within the hidden folds, and to reflect on how the medium—pencil and charcoal—has been used in a way that transforms the familiar into something new and unknown, amplifying the sense of experimentation and innovation.
Thematically, the work can be read as a reflection on limitations, adaptation, and the potential to redefine boundaries—both in art and in life.
