My drawings span from standalone artworks to preparatory sketches and illustrations, each crafted with a context-specific approach. I approach drawing as an independent medium, exploring both traditional and experimental techniques with graphite, charcoal, pastels, and ink. Through a blend of structure and spontaneity, I seek to capture more than representation, conveying an essence or emotion.
A core theme in my work is identity’s interaction with its surroundings, both literal and poetic. I explore how identity forms and evolves within physical, social, and emotional landscapes, reflecting on the tensions and transformations that shape it over time.
The Revolt of Form
The series The Revolt of Form suggests a metaphorical act of rebellion against the flat drawing surface and the traditional boundaries of artistic media. The work explores the interplay between two-dimensional and three-dimensional expressions within the realm of drawing. Through a combination of traditional drawing and sculptural form, the piece challenges conventional perceptions of what a drawing can be.
The composition is complex, characterized by crumpled paper forms that create natural light and shadow. These shadows generate a dramatic effect, evoking a sense of movement and depth. The work possesses a tactile quality that invites the viewer to experience the depth and surface in interplay. Viewers are encouraged to look closer, to uncover the details within the hidden folds, and to reflect on how the medium—pencil and charcoal—has been used in a way that transforms the familiar into something new and unknown, amplifying the sense of experimentation and innovation.
Thematically, the work can be read as a reflection on limitations, adaptation, and the potential to redefine boundaries—both in art and in life.
«The Revolt of Form I«, 40 cm x 50 cm, graphite and charcoal
I began this piece with an A1 sheet (84 cm x 59 cm), layering pencil and charcoal to establish a dynamic play of textures and tones. The sheet was compressed into a 40 cm x 50 cm three-dimensional form, which I further enhanced by drawing on its surface, redefining the possibilities of drawing as both a flat and sculptural medium
«The Revolt of Form II», 40 cm x 50 cm, graphite and charcoal on paper.
Starting with an A1 sheet (84 cm x 59 cm), I meticulously worked with pencil and charcoal to create intricate textures and tones. After transforming and compressing it into a 40 cm x 50 cm sculptural form, I extended the creative process by drawing directly onto the reshaped surface, exploring new dimensions of expression within the medium.
«The Revolt of Form III», 40 cm x 50 cm, graphite and charcoal on paper.
This work originated from an A1 sheet (84 cm x 59 cm), where I meticulously applied pencil and charcoal to achieve a dynamic texture and tonal balance. The original surface was then transformed into a compact, 40 cm x 50 cm three-dimensional form, exploring new possibilities within the drawing medium.
A selection of drawings:
(An updated gallery is under development)
Ongoing project:
«The Potential of Rejected Ideas» is an art project taking the form of a drawn sculptural installation. The installation consists of 10 meters of drawing paper crumpled up and shaped into a kind of ball. Various drawn motifs in different sizes can be seen in the different folds/curls. Some motifs clearly stand out, while others are hidden. Some motifs are fragmented, detached drawings that are incorporated or taped onto the crumpled paper ball.
«The Potential of Rejected Ideas» aims to create a dialogue around the potential in what is often considered failed or discarded ideas. By challenging the viewer to see the value in these ideas, the project aims to inspire a culture that embraces experimentation and risk-taking as a path to innovation.
The art project challenges the traditional interpretation of drawing by incorporating traditional paper drawing as a foundation and creating an organic connection between the two-dimensional and the three-dimensional. In this way, the audience is challenged to redefine the relationship between flat surfaces and three-dimensional form. The artwork invites reflection and discussion on the unpredictability of the creative process and its transformative power.
«The Potential of Rejected Ideas» seeks to promote critical reflection on society’s tendency to dismiss ideas that do not immediately prove viable. By exploring the potential creative opportunities in what has previously been rejected, the art project aims to contribute to a culture that values experimentation, failure, and learning as an integral part of the innovation process.
In today’s society, characterized by rapid technological development and complexity, the ability to rediscover, challenge, and integrate rejected ideas is crucial for innovation. This art project seeks to reflect the contemporary need to embrace diverse perspectives. It underscores the importance of seizing the opportunities inherent in rejected ideas to shape a more holistic and innovative future. «The Potential of Rejected Ideas» thus positions itself within a larger conceptual framework of creative rebirth, iteration, and recycling.
A handpicked selection of sketches for various projects: